Arthaus-Musik on Facebook Arthaus-Musik on Instagram Arthaus-Musik on Vimeo Arthaus-Musik on Youtube Arthaus-Musik on Twitter
DER FREISCHÜTZ
Carl Maria von Weber
Cover
Trailer
Bilder
 
Order
Carl Maria von Weber
DER FREISCHÜTZ
Zurich, Zurich Opera House, 1999

Soloists: 
Werner Gröschel (Kuno), Inga Nielsen (Agathe), Malin Hartelius (Ännchen), Matti Salminen (Kaspar), Peter Seiffert (Max)
Orchestra, Chorus: 
Chorus and Orchestra of the Zurich Opera House
Conductor: 
Nikolaus Harnoncourt
Director: 
Ruth Berghaus
Location: 
Zurich, Zurich Opera House

The legendary director Ruth Berghaus created this staging of Carl Maria von Weber’s Der Freischütz as a gripping theatrical experience for the Zurich Opera in 1993. Its revival in 1999 was a roaring success. With sets by Hartmut Meyer and costumes by Marie-Louise Strandt, Berghaus’ staging avoids the local peasant colour conventionally associated with Weber’s opera. Chorus and orchestra of the Zurich Opera House are conducted by Nikolaus Harnoncourt, universally celebrated for the structural transparency of his interpretations, his intellectual penetration and his emotional understanding of both music and opera plot. And last but not least an all-star cast made this production a highly memorable event: the dramatic soprano Inga Nielsen as Agathe, one of her best roles, the Swedish soprano Malin Hartelius as Ännchen, the sought-after Heldentenor Peter Seiffert, who gives a convincing passionate Max, and many others.
Cover
Carl Maria von Weber
Der Freischütz was first performed at the Königliches Schauspielhaus Berlin, on 18 June 1821, and enjoyed a tremendous success, heralding the breakthrough for German Romantic opera and its victory over the Italian bel canto. Richard Wagner was to continue the new musical-dramatic concept of Der Freischütz in his works. The opera(...)
Cover
Franz Lehár
With its charmingly romantic theme, effective stage action and abundance of spirited and delicate moods, this Parisian-flavoured libretto gave Franz Lehár every opportunity to display his talent. After the sensational success of the “Merry Widow” (1905), Lehár completed this operetta in only three weeks in 1909 and at first(...)