CARMEN
CARMEN
Konzert Theater Bern
Soloists:
Claude Eichenberger, Xavier Moreno, Elissa Huber, Jordan Shanahan, Winston R. Arnon
Orchestra, Chorus:
Berner Symphonieorchester
Conductor:
Mario Venzago
Director:
Stephan Märki
Location:
Konzert Theater Bern
GEORGE BIZET’S ORIGINAL VERSION OF CARMEN ON DVD AND 2CDs
In Stephan Märki's interpretation, Carmen is a woman longing for death, staging sex as a weapon in a world where seduction means strength, but devotion means downfall. Love and Death are embodied by a dancer who mirrors Carmen's thoughts and emotions. Conductor Mario Venzago draws upon the “Carmen” research by musicologist Fritz Oeser, who restores Bizet's original version, giving the piece new depth and new life to the well-known arias. Philipp Fürhofer's stage design sets the singers in a mirror cabinet, creating a mise en abyme of perspectives and allusions.
In Stephan Märki's interpretation, Carmen is a woman longing for death, staging sex as a weapon in a world where seduction means strength, but devotion means downfall. Love and Death are embodied by a dancer who mirrors Carmen's thoughts and emotions. Conductor Mario Venzago draws upon the “Carmen” research by musicologist Fritz Oeser, who restores Bizet's original version, giving the piece new depth and new life to the well-known arias. Philipp Fürhofer's stage design sets the singers in a mirror cabinet, creating a mise en abyme of perspectives and allusions.
Label:
Arthaus Musik
Genre:
Opera
Running Time:
155 mins
Picture Format:
16:9
Sound Format:
PCM Stereo
Number of Discs:
3
Region:
0
Languages:
FR
Subtitle Languages:
EN, DE, FR, JP
EAN:
4058407094333
UPC:
4058407094333
Georges Bizet
The libretto, by Henri Meilac and Ludovic Halévy, is based on a novella by Prosper Mérimée. The first performance of Carmen on 3 March 1875, produced such a hostile reaction that Bizet left Paris physically and psychologically ill, and died only three months later on 3 June 1875, following two serious heart attacks. The(...)
Pietro Mascagni
Following the sensational success of his one-act opera Cavalleria rusticana at Rome’s Teatro Costanzi on 17 May 1890, Mascagni left no stone unturned in his attempt to ensure that his star remained in the ascendant. But neither his Cavalleriaremake, Silvano (1895), nor his Romantic reworking of the Lady Godiva legend, Isabeau,(...)