![AHM](../../../../../include/images/Header.jpg)
DAVID HOCKNEY – PLEASURES OF THE EYE
![Cover](../../../../../include/images/DVD/106075_Hockney_Pleasure_Cover_75dpi_RGB_ohneFSK.jpg)
![Trailer](../../../../../include/images/dummy_detail_slideshow.jpg)
![Bilder](../../../../../include/images/bilder_h.png)
![Order](../../../../../include/images/order_button_en.png)
DAVID HOCKNEY – PLEASURES OF THE EYE
1997
Soloists:
David Hockney
Director:
Gero von Boehm, Beatrice Monti della Corte
Pleasures of the eye, David Hockney’s work has shown him to be one of the most versatile and influential artists of our time. The British artist invites the observer to take a visual stroll through his paintings and explore the dimensions of time and space. In communicating a new sense of the spacetime continuum, he injects the medium of photography with entirely new and living components. His sensuous theatre sets make us hear music with our eyes and see colours with our ears. The documentary filmmaker Gero von Böhm paints a memorable portrait of a fascinating artist, whose work allows all of us to see the magic in the small and seemingly insignificant details of everyday life.
Label:
Arthaus Musik
Genre:
Kunst
Running Time:
55
Picture Format:
4:3
Sound Format:
Dolby Digital 2.0
Number of Discs:
1
Region:
0
Languages:
GB, DE
Subtitle Languages:
FR
EAN:
0807280607598
UPC:
807280607598
![Cover](../../../../../include/images/DVD/106076_Hockney_Joiner_Cover_75dpi_ohneFSK.jpg)
David Hockney is unquestionably one of the most passionate and versatile experimental artists on the contemporary scene. In the late 1970s the British artist developed a pioneering concept which also changed his perspective on painting – his “joiners”. In this film, the artist himself talks about this photographic approach, a kind of(...)
![Cover](../../../../../include/images/DVD/106071_WomenOfTheImpressionism_Cover_75dpi_ohneFSK.jpg)
“Impressionism is female”: we understand this when we consider Berthe Morisot, Mary Cassatt, Eva Gonzalès and Marie Bracquemond, four outstanding artists who developed distinct Impressionist subjects and manners of painting. All four knew each other, were regulars in the contemporary artist circles of Paris and, above all,(...)