Arthaus-Musik on Facebook Arthaus-Musik on Instagram Arthaus-Musik on Vimeo Arthaus-Musik on Youtube Arthaus-Musik on Twitter
IL TURCO IN ITALIA
Gioachino Rossini
Cover
TrailerBilder
 
Order
Gioachino Rossini
IL TURCO IN ITALIA
2009

Soloists: 
Simone Alaimo, Myrtò Papatanasiu, Bruno de Simone
Orchestra, Chorus: 
Orchestra e Coro del Teatro Carlo Felice
Conductor: 
Jonathan Webb
Director: 
Egisto Marcucci

Il Turco in Italia is one of Rossini‘s wittiest but most neglected works. It is full of ingenious and freshly composed invention. It is Rossini‘s fi rst collaboration with Felice Romani - Bellini‘s librettist - on this opera and Romani understood perfectly Rossini‘s love of pastiche and parody. He provided a commedia dell‘ arte scenario that gave Rossini plenty of opportunity to mock traditions he had helped to cultivate in the first place. The plot is delightfully salcious and among the many jewels in the score, the duet for Geronio and Selim, in which the Turk tries to persuade the ageing husband to sell his wife to him, is widely considered one of the composer‘s masterpieces. Amongst the singers appearing on this DVD are the highly sought-after Sicilian bass Simone Alaimo, the Greek soprano Myrtò Papatanasiu, who became known to a wider public after her appearance as Violetta in Zeffi relli’s Traviata in Romein 2007 and the legendary basso-buffo and pupil of Bruscantini, Bruno de Simone.
Cover
Giovanni Battista Pergolesi
The Fondazione Pergolesi Spontini, which has been devoting itself to the research and performance of Pergolesi‘s music for years now, had his operas recorded live at the annual Music Festival in Jesi. Released on these DVDs are two productions from Jesi of one almost forgotten opera, Il prigionier superbo, and one of Pergolesi’s most(...)
Cover
Commissioned by the Salzburg Festspiele, Jan Lauwers was once again asked to take on a new staging. This time he will work on a contemporary opera, 'Intolleranza 1960' by Luigi Nono; an opera that is rarely performed. The Italian composer Luigi Nono (1924–1990) sought a new form of music theatre in which the voice, simultaneity(...)