Arthaus-Musik
Arthaus-Musik

jazzhaus CDs

Cannonball Adderley

Adderley achieved immortality in the Miles Davis Quintet with Kind of Blue – and his Something Else is possibly the best of the Blue Note albums. That was the late 1950s. Ten years later Adderley was touring Europe with his own quintet and gave a performance at Stuttgart’s Liederhalle.

Art Blakey


Art Blakey was a rhythmic volcano. “There were times when Art played with such fire he almost drummed you off the stage,” recalled his long-time companion Freddie Hubbard.   

Gerry Mulligan


Mulligan presents his handpicked sextet at the Liederhalle, where the opening number "For An Unfinished Woman" shows that far from being tinged with nostalgia his approach is still a contemporary work in progress.

Duke Ellington


Throwing caution to the wind and refusing to rely solely on time-served hits, Duke and his 14 musicians launch themselves into the new adventure. “­Johnny Come Lately” breaks the ice, “Swamp Goo” has the magical “Jungle Sound”, Paul Gonsalves’ tenor sax dances though “Knob Hill”.

Benny Goodman


The tumultuous applause was merely a foretaste of the liberating ­effect that rock’n’roll was about to unleash – a new genre which ­before long would steal the limelight from those in the jazz world who had made it possible.